The obvious parallel in Jane Smiley’s A Thousand Acres (Alfred A. Knopf, 1991) is King Lear: an aging farmer abruptly hands his operation down to his three daughters and their husbands, one daughter is excommunicated, and the others are left to cope with their father’s diminishing mental faculties. But another parallel comes from its depiction of modern industrial farming in 1979 America. Acquired through less than honorable means, the farm has thrived under the Cook family for generations, but the impending 1980s economy poses unique and unforeseeable challenges to the idea of the family farm. What at first seems a simple Shakespeare adaptation becomes an intimate character study and quickly blossoms into a horrific story of capitalism, trauma, and family. The final pages hold some of the best writing I’ve ever seen. I was shook. –Dusty Freund